Festive Enterprise: The Business of Drama in Medieval and Renaissance England, by Jill P. Ingram
نویسندگان
چکیده
This is exactly the kind of book I like to read and seem see too few examples of. Jill Ingram sets herself explore two interrelated questions: first, how did festive drama negotiate radical ideological changes precipitated by Protestant Reformation, second, it continue fund itself in wake equally significant social structures communities on which had previously relied? Her answer that so taking its religiosity underground, but allowing be still visible a coded way integrated assimilated objects language once associated with practice ‘gathering’, is, soliciting money from members audience. notes there are existing models sacred subjects morphed into less provocative celebrations civic life such as mayoral inauguration: one model stresses compensation argues elements early modern plays sheep-shearing scenes morris dancing were included fill gap left banishing material stage, other proposes (and implicitly laments) became commodified process commercialisation. However, rejects both these theories order argue instead fundraising was not antithetical ethos fundamental part it, integrally linked charitable giving economic conditioned form community enterprises. For Ingram, pithy statement book’s central project, ‘To shine light gathering-inflected aesthetic—a “festive economics form”—is illuminate influence commercial ambition dramatic artistic expression’ (p. 4). Drama could have withered died when favourite topics outlawed Reformation established for funding suddenly disrupted; instead, reinvented itself, reached new subject matter modes expression, introduced ways encouraging audiences feel sufficiently engaged connected pay experience. Thus, Ingram’s view, forms theatrical entertainment remained powerful force cohesion.
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ژورنال
عنوان ژورنال: The English Historical Review
سال: 2022
ISSN: ['0013-8266', '1477-4534']
DOI: https://doi.org/10.1093/ehr/ceac225